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No one would ever mistake Sarah Polley’s Take This Waltz for a generic rom-com. It’s too packed with highly specific,NFL Jerseys China, often flagrantly odd details, from the way married couple Michelle Williams and Seth Rogen playfully pillow-talk in goofy voices into each other’s eyeballs to the scene where Williams cracks up during a water-aerobics class with Rogen’s sister (Sarah Silverman), and eventually gets publicly shamed for her lack of bladder control. The form of the movie is familiar—person in stable-but-stagnant relationship meets someone new and begins to question everything—but actor-turned-writer/director Polley (following up her remarkable 2006 directorial debut, Away From Her) both injects new life into the formula and loses her way somewhat by adding thick levels of idiosyncrasy. Take This Waltz is simultaneously a coming-of-age film, a love story, a breakup story,Wholesale Jerseys China, and an indie quirkfest, and it tries to do so many things at once that it can’t hit many of its marks cleanly. But at least it’s never boring, and rarely predictable.
Williams stars as a freelance writer comfortably married to Rogen, a cookbook author who spends most of his time experimenting with chicken recipes. Their partnership is close and familiar, characterized by baby talk, wrestling, and the kind of private verbal games that spring up between couples, like their discomfiting habit of describing creative ways they’d like to mutilate each other. But their toxic cuteness curdles when Williams meets neighbor Luke Kirby, a quieter, more intense man whose habit of undermining her and putting her down somehow draws her. There’s nothing particularly dark or domineering about Kirby, who banters along with her, but he’s franker and more aggressive than Rogen, and his conversation comes without a sense of childish play, and with distinct sexual undertones. (Or overtones, during a sedately erotic scene where he builds a sexual fantasy between the two of them over drinks.) In some ways, he’s a Mild Pixie Dream Guy, full of his own twee idiosyncrasies—he’s a rickshaw-puller by day and an artist in secret—and newly arrived in the world, free of backstory or friends of his own, ready to pull Williams from her stasis.